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Showing posts with label FLAC. Show all posts
Showing posts with label FLAC. Show all posts

Saturday, 15 February 2014

The Good Wife - Love Songs





Thankfully The Good Wife managed to tolerate each other's company in the studio long enough to make an album before they split. It's sleazy noise rock stuff along the lines of Pissed Jeans, Jesus Lizard and Cows etc. They did a great 7" on Super Fi records. No vinyl for this jsut a free download on bandcamp

Saturday, 1 February 2014

Remote - Starving Blaze And Hollow Shades





Coalesce meets Deathspell Omega?

Absolute savagery. Nasty noisey chatoic metallic hardcore stuff. Glorious stuff.

Impureza - EP 2013





A fusion of flamenco and 'brutal' tech death metal. o_O

Friday, 31 January 2014

Red Death - 2014 demo





Crossover-tastic.

Might be slightly more on the hardcore side as some of the riffs remind me something like Knife Fight. Still plenty of wailing guitar solos and thrashing and moshing though.

Definitely kind of Power Trip quality rather than that post-Municipal Waste trend.

Thursday, 30 January 2014

Fela Kuti's entire discography on bandcamp

Fela Kuti's entire discography has been put on bandcamp





Bona fide classic.

Saturday, 18 January 2014

Gross Ex Machina - Ruiner





Bloodlet/Candiria/Starkweather/Botch/Today Is The Day/Nocturnus/Cave In style whatthefuckerry. Avant prog tech metal weirdness.

It's not an all out widdle fest though. Loads of sickening slow sludgey riffs in utterly fucked time signatures. Add Disembowelment to the list of bands for that bit actually.

Also makes me think of The Kevorkian Solution or Koreisch and the way they were off in their own little world of headfucking riffs.

The label blurb attempts to explain it:-

Lancaster Pennsylvanias GROSS EX MACHINA have meticulously crafted elements of grindcore, jazz, prog, post hardcore, and experimental electronic music to create a truly unique, avant-metal debut, RUINER.

This monster EP seamlessly transitions between a psychotic vortex of carnal aggression, beautifully layered guitar-scapes, sci-fi carnival music, and a deep lumbering wall of distortion. These elements alone have made way for G.E.M to blaze their own path through the mire of predictable metal and hardcore trends, while concurrently ruining preconceived notions of what “heavy” music is all about.


Not too far off the mark. The sci fi thing is definitely there. Occasional synth bits with spacey guitar fx etc. Oh, and occasional vocoder vocals.

Did i mention that it's really fucking good? Well, it is. Can't recommend it enough.

Friday, 17 January 2014

Theoria - Mantra





Blut Aus Nord-y black metal. Savage as hell riffing. Also, they're from Aleppo in Syria. kind of redefines the term "war metal".

Today Is The Day - Willpower





One of the greatest albums of all time. A total noise rock classic. One of the best things Amphetamine Reptile ever put out. Their later Relapse stuff that was more metallic was good but this stuff is perfection.

Thursday, 16 January 2014

Marius Neset - Birds (Edition)





Once you've got over your violent desire to kill drama students from looking at the artwork this is a great album. Modern jazz stuff.

Found it via a great article in The Quietus. A column all about jazz - http://thequietus.com/articles/14092-complete-communion-jazz-reviews-2

This is how they described the Marius Neset album:-

You can always expect the unexpected with Scandinavian composers. 27-year-old saxist and composer Marius Neset has been hailed "the most talented Norwegian saxophonist since Jan Garbarek in the 1960s", but Neset’s compositions range from the chattering density of Frank Zappa circa Hot Rats to the melodic hypnotism of Steve Reich. Birds is a wild, symphonic and metamorphic recording.

Don't have enough jazzbo knowledge to declare how accurate that description is but it piqued my interest and it was definitely worth it. Been playing this fairly regularly for the past month or so now.

I'd highly recommend checking out the rest of that Quietus column because it's a goldmine of great tips.

Sunday, 12 January 2014

Lawsuits - Future Failure





Discovered this via the excellent Shiny Grey Monotone blog. Their review is here - http://shinygreymonotone.blogspot.co.uk/2014/01/lawuits-future-failures.html

Basically it's a mix of stuff like Tar, Jawbox, Drive Like Jehu and Bluetip. They've got the chops and the songwriting nous to back up those kind of comparisons as well.

Tuesday, 7 January 2014

Vaura - The Missing (Profound Lore)





Black metal gone gothy/shoegaze-pop. Yeah, I know, I know but it does actually work. it's on Profound Lore so just trust.

It's got Toby Driver from Kayo Dot and Maudlin Of The Well so there's pedigree in this band. Before we go on a quick reminder of how astonishingly incredible Maudlin Of The Well were:-



Back to Vaura it's really hard to explain their sound. It's a bit of a slow burner. Thought it was alright on the first listen and maybe listened to again a week later but became one of those albums you're strangely drawn into playing until you suddenly realise it's incredible. Layers and depth reveal themselves. For example right this second I've noticed a bit of Cynic style vocoder space vocals in one of the songs (Putting Flesh To The Bone). At other points it's like 80s King Crimson covering Amorphis or My Bloody Valentine covering Rush. Other points it's a bit like that Beastmilk polished neo-goth thing but doing California by Mr Bungle. Strangely though it does all sound normal. They're not pretentiously trying to make really weird off beat sounds to be purposely obscure. It doesn't sound jarring in the slightest. In terms of black metally underground stuff it's really pop orientated. This lot could quite easily be hounded out of the hall by Manowar for being wimps and poseurs. Tedious people with BO will talk about Pitchfork and the brooklynisation of music nowadays.

I think I'm losing the thread of what I'm trying to say.

All these different sounds float about but it's a coherent voice. It's a bit like the way Take 5 by The Dave Brubeck Quartet is a totally whistleable pop tune but it's in 5/4 and the musicians are doing all kinds of acrobatics without you realising unless you really listen.

I've got a gut feeling that this album will slowly release even more secrets as time goes on and I think i'd put money on me declaring it a bona fide classic in ten years time

Monday, 6 January 2014

Nohome - s/t (Trost)





Caspar Brotzmann Massaker reborn!! It's Caspar Brotzmann and friends making a Massaker-esque racket in Berlin last year. If you loved the Caspar Brotzmann Massaker albums then you won't be disappointed. You've probably already got it or have at least pressed play before this paragraph has even ended.

For the uninitiated you're in for a treat. Well, as long as you like harsh experimental guitars blasting at full volume. Caspar Brotzmann is the son of notorious free jazz sax blaster Peter Brotzmann and the apple didn't fall very far from the tree.

Think 80s Sonic Youth at their wildest but more, well just more....

If stuff like The Dead C, Skullflower, Fushitsusha, Swans etc takes you're fancy then you have to check them out. He could teach black metal bands more than a thing or two about outright savage guitar playing.

He was incredible when he played Cafe Oto a while back. Fingers crossed he comes back soon.

Sunday, 5 January 2014

Grave Miasma - Odori Sepulcrorum





Profound Lore is finally getting the rest of their albums they put out in 2013 on the Bandcamp. Had this one for months off soulseek but good to pay the cash for a decent version.

Grave Miasma put out possibly the death metal album of the year. Considering their competition has been Carcass, Gorguts, Ulcerate and Autopsy that's no mean feat. There's some real depth and craft to the music. I'm happy enough to listen to an occasional blast of total generic old school death metal worship but Grave Miasma have the ability to go far beyond that.

Saturday, 4 January 2014

Big Jesus - One





a friend recommended this to me describing them as "Deftones/Quicksand/Torche and a smidge of Smashing Pumpkins". Sums it up perfectly.

Thursday, 2 January 2014

Life Leone - Comes Crashing In





somewhere between Ty Segall and QOTSA? maybe if an indie band borrowed Fu Manchu's backline?

Tuesday, 31 December 2013

Isolation Tank demo 2013 (power violence)





Power violence that's filthy and harsh. no pizza mosh dude fun.

Sunday, 29 December 2013

Ritual Chamber - The Pit Of Tentacled Screams





If you've played the Grave Miasma and Portal albums to death this year then this might sort you out nicely.

Saturday, 28 December 2013

Monster Killed By Laser - Xalzalix EP



Keeping the spirit of 80s King Crimson alive.

Friday, 27 December 2013

Warm Soda - Someone For You



Power pop perfection. Straddles the stadium power-pop vs punky power pop divide. Poptopia-tastic!

I'd recommend starting off with Only In Your Mind. I swear I've listened to it about a billion times in the last week. One of those songs you just keep hitting repeat on. Perfectly crafted song writing. I guarantee that the first time you listen to it you'll be singing along the second time the chorus kicks in. Catchy as hell.

Basically, if you're into stuff like Cheap Trick, Exploding Hearts, The Raspberries and Big Star etc then you'll love this.

Right, time to hit play again.

Wednesday, 18 December 2013

Flesh World - s/t (La Vida Es Un Mus)



La Vida Es Un Mus now have a bandcamp page.. Expect DIY punk related things.

No back catalogue stuff yet but this new Flesh World mini LP is good. Kind of fuzzy, melodic post punk that's kind of tuneful. Here's the blurb:-

On their debut MLP, San Francisco, CA’s Flesh World plays ice-soaked punk rock led by dark and infectious guitar flourishes and a just-under-the-surface pop sensibility that makes each song an immediate stand out track. Featuring band members who are all veterans of the DIY punk scene — from bands including Limp Wrist, Brilliant Colors, Needles, and more — Flesh World brings influences from a host of punk sub-genres together, calling to mind the tense moodiness of classic British post punk, the sneer of the 1977 school, and just a hint of C86 flourish and feedback. Most importantly, this MLP includes six hopelessly catchy songs that will work their way into your skull like an infection without a cure.